Alex sits across from her therapist, tapping her foot anxiously on the floor, not speaking. Her therapist looks empathetically at her, and asks if she could possibly describe her feelings at the moment. Alex keeps her eyes on the floor, and shifts her position uncomfortably. The therapist wonders if she can recount her experience reconnecting with home friends with whom she shared a traumatic middle school experience. Finally, Alex looks up and begins to tell her story.
Cast of alex getting better
Alex is the main character of alex getting better, a play written by 21-year-old Audrey Lang, a junior theater studies major at Ithaca College. The play was performed last fall in The Dillingham Center, home of Ithaca College’s theater program. Throughout the play, Alex, a college student, begins to work through and come to terms with being a young woman who was a victim of sexual assault in middle school. She had not thought about this traumatic episode in her life for a long while. She chose to bury the memory of a boy she had once been friends with and who had touched her and her friends in a way that was unwanted and inappropriate.
Lang portrays the diverse approaches that victims of sexual assault can take toward healing. Some of Alex’s friends had repressed the memories and remained friends with the assailant; others had forgiven, and moved on. Throughout the play, the feelings of shame, discomfort, and paranoia are visceral and perturbing as we watch Alex striving to work through her fears, accept the trauma, and learn to let go.
In the Fall 2018 semester, Lang wrote a 10-minute play for a theater class, which served as the backbone for alex getting better. She based the story loosely on trauma she had experienced in her own life, while asserting creative control in the play when necessary. Lang found the content to be relevant, informative, and universal, as she has known many women and girls who have dealt with similar forms of assault.
Because the play dealt with intimate, triggering, and vulnerable content, Lang made sure that she and the cast and crew members felt safe to voice their own personal stories during the time they were delving into Alex’s journey of recovery. “I chose to work with all females,” said Lang. “There was an all-female cast as well as an all-female rehearsal room. These events are so deeply related to things women and girls are dealing with. But, I wanted the play to be seen by people of all ages and genders.”
This performance not only gave Lang a platform to voice a traumatic event that happened to her depicted through her play, but it also gave the cast members a chance to empathize and vocalize similar occurrences that happened in their lives. This presents significant benefits of theater; the community and support that the participants in the play receive, as well as the chance for the playwright themselves to share and perform experiences for an audience to empathize with.
Lang has been a writer for as long as she can remember. In 2016, prior to alex getting better, Lang wrote another play about issues young women face, Dear Anna, which was performed with MCC Youth Company’s FreshPlay Festival and with the Ithaca Theater Collective. “I always loved writing,” said Lang, “but I was always mostly interested in dialogue and human interactions. Theater can bring life to stories in a way that feels more real because you are actually seeing the bodies.”
Rather than solely working through her struggles and experiences on her own, Lang and many other playwrights who create plays about mental illness or sexual assault work through their pain with a medium that enables others to be fully present with them when they are most afraid and vulnerable. This advocacy work is personal and intimate but the themes and issues addressed are universal. Lang chooses to write her plays about marginalized groups to give these people a platform to share their stories. “Typically, my plays are about women,” she said. “Especially queer women. I try to show them in places of strength and complication.”
In theater, the audience can become engrossed with the story in a way that can indulge most of their senses, while also having a space where one is allowed to become emotional and vulnerable. “Theater should be educational and entertaining,” said Carin Etsy, an Ithaca College senior who directed alex getting better and is also a playwright who has written autobiographical pieces about sexual assault. “It forces you to be more engaged because, unlike watching a movie or reading a book, you can’t just leave. Theater is a continuous act; you have to sit there and be faced with another’s experiences and emotions.”
—By Nicole Kramer
Nicole Kramer, an intern at The Sophie Fund, is a senior Writing major and Sociology minor at Ithaca College. She is a nonfiction editor for Stillwater, a student-run literary magazine. She also enjoys creating mixed media image-text work and writing poetry.